Monday, September 30, 2002

First, a note about TV reviews: I won't write them. Same goes for movies, comics, books, music, whatever. There are plenty of sources for "thumbs up/thumbs down" sorts of reviews, and I'm sure there's at least one out there that has something interesting or insightful to say. As far as I'm concerned, it's okay to like something despite its flaws (this is pretty much the basis of most relationships), and that's what I'll write about. It doesn't matter so much to me whether or not The Tuxedo was a good movie (which it wasn't); what matters is whether or not I had a good time watching it (which I did). So, with that said, here's my comments about last night's TV:

I have fond childhood memories about Sunday night television. I remember the whole family gathering around to watch The Muppet Show and The Wonderful World of Disney. In recent years, much has been made about cable TV (particularly HBO) dominating Sunday night television. Well, as much as I love The Sopranos, it's not the only thing on Sunday nights any more, and in even more recent years, I've actually found myself watching more network shows on Sundays. And now I'm adding two new ones to the list: American Dreams and Boomtown.

A confession: I'm a sucker for sixties pop music. (Not sure how my friends who work at the Rock 'n' Roll Hall of Fame will react to that, but there you go.) So the idea of American Dreams, a family drama set in the sixties, revolving at least partially around American Bandstand and produced by Dick Clark had some obvious initial appeal. Plus, I needed something to fill the emotional void left by the shameful cancellation of State of Grace. Heck, American Dreams even stars Tom Verica, who had a recurring role on State of Grace. And, the good news is, I liked it. Not a perfect show--the father was painted a little too broadly as a complete jerk, for example--but the characters were likeable and believable. There's enough timeless family drama to keep it relevant, but enough historical detail to keep things interesting. I was caught off guard when the family's oldest son gave a typically heartfelt speech to his priest/Catholic high school football coach about how he doesn't want to play football any more because he no longer finds it enjoyable or fulfilling, only to have the priest tell him to get his head together, that it doesn't matter what he feels, just that he has a duty to his family, his school, and his parish. A few minutes later, we see the father of the family, who has spent most of the show throwing his authority around, lamenting that his family is unhappy even though he has achieved almost everything he ever dreamed of. Why, he wonders, isn't that enough for them? These are the sorts of things that wouldn't play in a contemporary drama, but in a historical context, when the world was a lot more comfortable pretending that a woman's place was in the home, and her husband was the king of his castle, it works. And, of course, there's the music. And next week: Michelle Branch!

For a show being touted as one of the most impressive new series, I was less impressed than I expected to be with Boomtown (although I loved the opening credits). The gimmick is that they show the investigation of a crime--or whatever the week's story might be, I guess--from the perspectives of a bunch of different characters: beat cops, detectives, a paramedic, a DA, and a reporter. I like the diversity of roles the characters represent, and I liked watching the pieces come together, instead of seeing the story unfold in a straightforward, linear fashion. And it's a good cast. But the actual story was nothing spectacular, and there was one scene in particular (a cop, played by the usually fantastic Gary Basaraba, runs into an old woman in the middle of a police chase, and the dialogue exchange is just embarrassing) that really turned me off. And although the show started off with a soliliquy about the Los Angeles River, it didn't have the same sense of LA-place-ness as Robbery Homicide Division on Friday. Nevertheless, I'll be back next week.

And, of course, sandwiched between these two new shows came the season premiere of Alias. If I refuse to offer an objective review of anything, that goes double for this show. I love it so. It's the only TV show I turn the phone ringer off during. It's a great action show, and it's a fantastic family drama, and everyone in the world should watch it and love it. 'Nuff said.

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