Thanks to having Christmas Eve and Christmas Day off, I managed to get a couple of graphic novels read. (No covers this time; I haven't had the time to figure out how to really work with pictures in Blogsy.)
My Little Pony: Pony Tales volume 1
Collecting the first six micro-series issues, each one focusing on one of the "Mane Six" lead characters from the popular TV series and toy line, this was a lot of fun. While all very much in keeping with the tone and style of the show, each story--written and drawn by different creative teams--had its own distinctive voice and feel. Similarly, each character had a story appropriate to their personalities, giving us a range of tales from action-adventure (Rainbow Dash), character drama (Twilight Sparkle, Rarity, and Applejack), and humor (Pinkie Pie and, arguably, Fluttershy). IDW and Hasbro get points from me for allowing so much individual expression to show through a licensed comic, and not forcing creators into a cookie-cutter house style. Lots of fun for folks already familiar with the series.
John Byrne was one of my favorite creators back in the 80s, and it's great to see him still active in comics. Doomsday.1 is a revival/reimagining of one of his earliest series, Doomsday+1. Not having read that series, I can't say how this compares. As a piece of post-apocalyptic fiction, featuring a group of survivors from a space station returning to an Earth devastated by solar flares, it's pretty stark and grim. While some of the situations feel like familiar tropes of the genre--prisoners taking over a prison, for example--he still creates a palpable sense of danger for his characters, and follows through by not always having everyone come out okay. Byrne's art also effectively communicates the horrors of the ravaged world. Unfortunately for the reader, this appears to just be the first part of a longer story; here's hoping that the Doomsday.2 he promises on the final page comes out sooner rather than later.
Mister X: Eviction
I've written about Dean Motter's Mister X before, and I think there's a much longer piece about it and its impact on me as a comics reader percolating in my brain. This book is the second volume in his rebooted series, and it continues to be great, seeing Motter in complete control of the series. (In previous iterations, he would write and design the series, but this new version is the first extended time we've seen him both writing and drawing.) This collection of stories completely embraces the character and the setting, giving us stories that really wouldn't fit anywhere else. We see the enigmatic Mister X working with the specific problems caused by the warped psychetecture of Radiant City, where the structure of the city is literally driving its citizens crazy. While completely steeped in a retro stew of noir and classic science fiction, this is very much more than the sum of its parts and influences, and is instead very much its own thing. It's a weird noir mystery, but one that could not be told in any other setting or with any other characters. And the art is fantastic.
Telling the story of a young, female Parisian thief, Bandette oozes charm from every page, every panel, every line. It's like if Catwoman had been created by the creators of Amelie. She rides around on a Vespa, has exciting fights and capers, and proclaims that she possesses the power of Presto! The art, by Colleen Coover, feels very strongly European without slavishly imitating any single creator. It's bright and entertaining and funny without feeling like a parody of something. It's the kind of story where a costumed supervillain can ride a bus or subway to a fight, and it feels perfectly natural. I love Bandette, and I love this collection of stories, including a number of short strips by guest artists fleshing out the supporting cast. In terms of book design, in terms of writing, in terms of art, in terms of tone, Bandette is a thing of charm and beauty, and reading it will make your day seem that little bit brighter.